时隔13年，安藤忠雄着手进行普利策基金会美术馆的改造

**白木碉** · 拓都将军|**白木碉** 发表于 2015-5-2 08:01:27

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Tadao Ando revisits the Pulitzer Arts

Foundation in St Louis

安藤忠雄重访圣·路易斯的

普利基金会美术馆

29 Apr 2015 / By Ellie Stathak

2015年4月29日/Ellie Stathak 著

翻译 @白木碉

The Pulitzer Arts Foundation in St Louis is Japanese master Tadao Ando's very first freestanding public commission in the United States, completed in 2001. Since August 2014, the original building has been undergoing a makeover, in consultation with Ando, to accommodate the foundation's growing needs.

圣·路易斯的普利策基金会美术馆是日本建筑大师安藤忠雄在美国的首个独立公共委托项目，建成于2001年。从2014年八月开始，原有建筑在安藤指导下进行改造，以适应基金会日益增长的功能需求。

Responding to an increasing demand for space, the new project includes a significant expansion of the foundation's gallery area. Arranged within the building's lower level, two major new display spaces, which previously hosted offices and storage, will now be part of the institution's exhibitions and activities program, aimed to engage the wider public and local community. These new spaces increase the foundation's program capacity by a striking near-fifty percent.

作为对空间需求增长的回应，新项目包括大幅增加基金会的画廊面积。通过对建筑底层的空间重置，两个原是办公室和储藏室的新的主要展示空间，现在成为这个机构举办展览和活动的一部分，从而吸引更广阔的公众视野和社会资源。这些新增设的空间使基金会的设计容量显著提升了将近一半。

At the same time, the organisation (previously known as The Pulitzer Foundation for the Arts) relaunches under a new name 'to emphasise [its] institutional vision'.

同时，该机构（以往被称为“普利策艺术基金会”）更名以强调其制度视野。

This is the building's first major alteration since its completion in the early noughties. And Ando's skilful redesign is focusing on more than just increasing floor space; a new, additional staircase will support movement through the building and help with visitor flow, perfecting both circulation and visitor experience within the new and old parts.

这次是这座建筑在21世纪头十年里首次重大的变更。安藤炉火纯青的再设计注重的不仅仅是增加使用面积；一座新增设的楼梯将连通建筑内部并帮助游客游走于建筑之中，完善的不只是动线流通，更是游客对新老建筑空间的体验历程。

Tadao Ando's original building for the foundation was completed in 2001.

安藤忠雄为基金会于2001年建成的原有建筑。

Photography: Robert Pettus（摄影：Robert Pettus）