Ananta Legian酒店——金色殿堂（by Airmas Asri）

**QH912** · 拓都将军|**QH912** 发表于 2014-10-28 10:28:52

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Architects（建筑师）: Airmas Asri
Location（项目地点）: Legian, Bali, Indonesia印度尼西亚，巴厘岛，乐吉安
Client（客户）: Pt. Real Estate Perdana
Area（总建筑面积）: 3133.0 sqm
Year（年份）: 2012
Photographs（摄影）: Courtesy of Airmas Asri

Consultant（顾问）: Skemanusa Consultama Teknik
Civil Engineering（土木工程师）: Ketira Engineering Consultant
Interior Consultant（室内设计顾问）: Yvonne Pekerti & Associate
Landscape Consultant（景观设计顾问）: Rini Martadi & Associate
Main Contractor（主持施工员）: Jaya Kusuma Sarana

From the architect. Ananta Legian is situated behind Legian Beach, and due to the lack of sufficient area, it was built on a long, narrow site surrounded with local settlements and hostelry buildings. This situation makes the hotel virtually hidden by the other buildings, making it invisible from the beach. Consequently, the seascape is difficult to be enjoyed from the hotel area and, although the hotel is located within walking distance from the beach, access is not easy. But the difficulty in accessing the hotel area is offset with an opulent lobby building that welcomes visitors in the drop-off area before their vehicles head to the basement parking area.

以下内容由建筑师提供：

Ananta Legian位于Legian海滩后，由于基地面积不足，故酒店建造在当地民居和客栈间的狭长地块上。这使得酒店几乎隐没于其它建筑中，从海边根本无法望见。因此，从酒店难以眺望海景；尽管它与海滩近在咫尺，却不易通行。然而，一座富丽堂皇的大堂建筑解决了难以抵达酒店的困难，来访者在车辆驶向地下停车场前的落客区便受到欢迎。

The lobby is a pyramid-like building with blunt top inspired by the form and characteristic of Balinese glass handicraft, and the floral Balinese traditional ornament. In order to create a sense of sacredness and a philosophical meaning, the ornament was transformed into its traditional element accentuated by Patra Sari—a painting made by I Wayan Lungguh, a local artist—and other local paintings on the lobby building. These paintings, far from being merely accents in an interior, have powerful meanings on divinity, life, and eternity. These paintings were converted into a handmade carving with Glass Fiber Reinforced Concrete (GRC) material and were applied throughout the lobby as secondary skin which help to reduce the heat from the sun.

酒店大堂是一座平顶的金字塔状建筑，灵感源自巴厘岛玻璃工艺品的形式和巴厘岛花饰传统装饰物。为营造一种圣神感和哲学意味，装饰物被演化成其传统元素，凸显于大堂内由当地艺术家I Wayan Lungguh创作的绘画Patra Sari，以及其它几幅当地画作之中。这些作品远不止于作为室内突出装饰物，它们还饱含着神学、生活和恒永的深刻意义。画作被手工雕刻在玻璃纤维增强水泥（GRC）材料上，作为二层表皮覆盖于大堂周身，有助于削减太阳得热。

The lobby building was constructed with steel frame structure to pin two layers, the glass inside and the carving outside. These layers are separated by a 50-centimeter wide space between the glass and the carving for maintenance needs. This layering system creates an aesthetic three-dimensional effect to the GRC carving, and a shady and mild ambience to inside of the building. To prevent overheating on the inside of the building, it was designed with an open gate and the glass layer served as natural ventilation. At night the lobby is flooded with light, transforming it into a beautiful carved lantern. The attractive lobby is also intended to complement the simple form of hotel building behind it. As a focal point and façade of the building façade, the lobby is not only beautiful, but also poignant.

大堂建筑利用钢结构联结两层表皮，内为玻璃，外置雕刻层。两层之间预留50厘米间隙以便维护需要。此分层系统因GRC雕刻工艺创造出一种美妙的三维效果，并为建筑内部营造出阴凉温和的格调。为了避免室内过热，建筑采用开敞式大门和玻璃表层充当自然通风装置。夜幕降临，大堂灯火通明，幻化成一盏美丽的雕花灯笼。同时，这迷人的大堂也与其后的简洁酒店建筑形式相补充。作为建筑立面的焦点的门脸，这座大堂已不仅仅是美丽，更令人影响深刻。

The hotel building was arranged in a simple U-shaped building with a nook on the left side in order to create a more dynamic sense of space. The lack of view was resolved by creating a view for guest coming and for guest who already in the hotel. An open space located in the middle of the hotel area acts as a latar –the open space in Balinese traditional house. In this area, the open space functions as public facilities equipped with a swimming pool, a restaurant, a coffee shop, and a meeting room.

酒店布局采用简单“U”形，，于左侧设计了一处僻静角落以创造更活泼的空间感受，解决了景观贫乏之难，为潜在客户与已入住客人提供观景视野。酒店中央的开放区域作latar之用，“latar”是巴厘岛传统民居中得开放空间。在此区域，开放空间作为公共设施配备以泳池、餐厅、咖啡厅及会议室。

The swimming pool is located precisely in the axis of the lobby, making visitors feel welcomed with the water that reflects the ambience of its surrounding. The swimming pool and the lobby pavilion was designed in such a way that create impressive view.

游泳池精确位于大堂轴线中央，使到访者从池水倒影中感受到酒店的欢迎之情。泳池与大堂的设计方式给人留下深刻印象。

A grand stairs is also located in the same axis to connect the lobby and the public facilities on the semi-basement floor. This stairs is designed to bring visitors to experience a ‘ceremonial’ atmosphere that usually reserved for pedanda—the high priest in Bali.

一部大型阶梯也处于同一轴线上，衔接着大堂和半地下公共区域。阶梯的设计是为给游客带来“仪式般”的氛围体验，这通常只为pedanda（巴厘岛大祭司）提供。

Water element, such as a pond with four frangipani trees and artificial waterfall, is also prominent in the entire open space. These elements create a stronger experience of continuous space in this narrow site. In order to soften the massive wall that surrounds the open space, metal frameworks covered with vines are applied to create green walls. As a result, this open space creates a relieving and warm ambience for guests, become a view for the guest to enjoy.

水元素，如一个伴有四棵鸡蛋花树和人工瀑布的池塘，在整个开放空间中也非常显眼。这些元素在这般狭窄基地中创造出了一个体验连续性较强的空间。为了舒缓环绕开放空间的巨大围墙，设计师采用了覆盖着藤蔓的金属框架创造绿墙。由此，开放空间为客人创造了一个舒缓、温暖的环境，成为一道赏心悦目的风景。