南京万景花园小教堂——上帝是光（by AZL建筑事务所）

**QH912** · 拓都将军|**QH912** 发表于 2014-10-14 10:33:48

本帖最后由 QH912 于 2014-10-14 10:44 编辑

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Architects（建筑事务所）: AZL Architects
Location（项目地点）: Nanjing, Jiangsu, China
Area（用地面积）: 200.0 sqm
Year（年份）: 2014
Photographs（摄影）: Yao Li

Project Leader（项目总监）: Zhang Lei（张雷——东南大学建筑系硕士毕业，瑞士苏黎世高工建筑系研究生毕业。中国当代著名建筑师，曾任南京大学建筑学院副院长，南京大学建筑规划设计研究院院长。现任南京大学建筑与城市规划学院教授，建筑设计与创作研究所所长；张雷联合建筑事务所【AZL】创始人兼总建筑师、国家一级注册建筑师——译者注）

Project Team（项目团队）: Zhang Lei, Wang Ying, Jin Xin, Cao Yongshan, Hang Xiaomeng, Huang Longhui
Collaborator（合作者）: ADI-NJU

From the architect. The project – a 200 square meter small chapel, is located in Wanjing Garden along Nanjing’s Riverfront. Hosted by priests from Nanjing Union Theological Seminary, it supports religious activities like worship and wedding services. This wood and steel structured chapel has gentle exterior shape as well as strong interior space infused with mysterious religious power. Its plain material doesn’t fail in expressing the delicate construction logic.

以下内容来自建筑事务所：

此200平米小教堂方案建于南京黄浦江边的万景花园中。由南京联合神学院的牧师负责主持，提供如礼拜、婚礼等的宗教活动服务。这座木和钢混合结构教堂拥有优雅的外形和浸润于神秘宗教势力中的坚实内部空间。它平实的材质并未圉于对精致建造逻辑的表达。

54348697c07a80110e000022_nanjing-wanjing-garden-chapel-azl-architects_04_west_si.jpg

The earliest and fundamental church space has two interrelated tendencies- Center and depth. Both the centrality from the Pantheon and the deep axis of the Basilica was inherited in the early Christian Architecture. The central and axial symmetry of church space became less prominent during the Modernism period, which was closely related to the Protectants’ rejection of Catholic Hierarchy.

最初的基础教堂空间有两个互相关联的趋向——集中式和深度。不论是帕特农神庙的中心地位，还是巴西利卡的深长轴对称，均在早期基督教建筑中得到继承。到了现代主义时期，教堂空间集中式和轴对称的近似性不再重要，这与基督教会统治集团反对者的抗议紧密相关。

平面图

In the design of Wanjing Garden Chapel, the architect didn’t purposefully reject the “centrality” and “depth” of classical space sequence. In plan, it has an octagonal central hall surrounded by square shaped corridors. In section, the use of roof profile and the long slit of skylight amplify the depth of space and emphasize on the high point over the sacred space where all axis meet.

在万景花园教堂的设计中，建筑师没有全权反对经典空间次序的“集中式”和“深度”。从平面图看，建筑拥有一个八角形中央大厅，四周围绕方形走廊。立面图中，屋顶形态和狭长天窗的作用扩张了空间进深，也强调了神圣空间上方轴线交汇的至高点。

The wooden corridor forms a unique double shell of the central hall space. The inner shell is more closed, leaving natural light to penetrate only through openings on roof and walls. The outer shell, composed of delicate SPF strips, serves as a filter of the view outside, implying the start of a religious spatial experience. The double shell system creates a uniquely interesting oriental architectural space that’s different from the “closeness” of traditional stone chapel, or the “openness” of modern architecture. The small chapel has a perfectly square shaped plan. Even with the 45-degree turning connecting inner space to exterior structure, the square remains highly integrated, symmetrical and center oriented. Hidden diagonal axis in the plan also extends to the roof structure, realizing a complete integrity of space, material and power.

木走廊形成了中央大厅的独特双层外壳。内壳相对封闭，自然光只能透过屋顶和墙面的开窗射入。由精致的SPF条构成的外壳好似室外景色的滤网，暗示着宗教精神之旅的开始。这种双层壳系统营造出一种独特而有趣的东方建筑空间，不同于传统石质教堂的“封闭性”，抑或现代建筑的“开放性”。这座小教堂有着完美的方形平面。即便内部空间与外部结构相互错转45°，方形依然非常完整、对称和向心。平面图中隐含的对角轴对称一直延伸至屋顶结构，实现了空间、材质与能量的完全统一。

“…God is light, and in him is no darkness at all.”-——1 John Bible

“……上帝是光，他的心中没有黑暗。”——《圣经约翰福音1》

“Light” is an important theme in the religious expressions of church space. In this particular design, light falls through the strip skylight right above the axis of alter into the center of the hall, and also penetrate from behind the holy cross on the alter wall. The presentation of this 300 mm wide light strip is the most powerful defining element of the interior space. Other natural light comes gently through the wood strips into the openings on the wall.

“光”是教堂空间宗教表现的重要主题。在这个特别的设计中，光透过轴线交点上方的条状天窗撒入大厅中央，同时也从相交墙体尖角上的十字架后渗入。300mm宽光栅的设置是室内空间最为有力的决定性元素。其余自然光柔和地透过木条进入墙上的洞口。

“Light” construction strategy is a wise choice under tight project schedule and limited budget. Roof structure, in accordance with the “cheap” material- natural light, adds expressiveness to the entire space. All interior surfaces are painted white, emphasizing the leading role of light and space. The exterior wood strips and asphalt shingles are left in their natural color, emphasizing the importance of nature.

“光”建造策略是基于紧张项目进度和有限预算的明智选择。与“廉价”材料——自然光——相符的屋面结构丰富了整个空间变化。室内均粉饰成白色以突出光和空间的主导作用。为强调自然的重要性，外部的木条和沥青屋面都保留了其本色。

The SPF strips surrounding the church are so delicate that their length-to-radius ratio could be 1:120, largely exceeding the normal load bearing. With length as long as 12 meters and section area only 38*89 mm, the strips are connected to the roof and ground by metal parts at both ends, keeping them in their ideal stretching status. Adjacent wood strips are also connected with U-shape metal parts to insure stability. These together achieved a metal-wood structure that’s extremely simple in material selection and installation.

教堂周围的SPF条非常精致，其长宽比达1：120，远远超出了其正常承载力。条料长12m，截面仅38*89mm，通过两端的金属构件连接于屋顶和地面之间，使之保持理想伸长状态。相邻木条间用U形金属构件链接以保持稳定。以上种种集合成金属—木结构，使材料的选择与组装变得十分简易。

As a religious institution with very simple functions, this small chapel has its overly “ideal” space that couldn’t attribute to any particular style, but “the nature that tolerates all.”

作为一个功能简单的宗教机构，这座小教堂有它极为“理想的”空间，这无法归功于任何特殊形式，只叹“自然包罗万象”。