函馆日本文化中心——静美的混凝土（By Atelier BNK）

**firscad** · 拓邑团练|**firscad** 发表于 2015-4-13 15:42:43

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Architects（建筑师）: Atelier BNK
Location（建筑地址）: Hakodate, Hokkaido Prefecture, Japan
Area（建筑面积）: 1256.0 sqm
Year（建筑年份）: 2011
Photographs（建筑摄影）: Koji Sakai

From the architect. For around 10,000 years in japan, the Jomon culture maintained a richly spiritual society and was a sustainable culture characterized by a closeness to nature. Today, as we confront environmental problems, the Jomon culture is attracting worldwide attention as a model of society from which we can learn. Our design of this center aimed to create a space that produced the Jomon culture.
在日本的10000的历史里，绳纹文化保持着其丰富的精神内涵，是一种贴近自然的可持续的社会文化。今天，当我们面对环境问题，绳纹文化作为一种效仿的社会模式，吸引了全世界的目光，设计这个文化中心的目的就是为了创造一个再现绳纹文化的场所。

The baseline of the plan was a 200-meter long wall of large curvature that creates a barrier dividing the present day ( the highway ) from the Jomon period (the Kakinoshima site ) and assigns the primary function to the site.
本设计的基线是一个200米长的大曲率的墙体，创建了一个间隔今天（高速公路）和绳纹时代（kakinoshima场地）的屏障，并赋予基地重要的功能。

The exhibition rooms are particularly important place inside the center, and the thermal environment in these rooms was stabilized by nesting them within a buffer space. The spatial representation integrates the exhibition rooms with the site through a cross-section that guides the visitor from the entrance on highway level down to the exhibition rooms on the Kakinoshima site level.
展室是文化中心特别重要的区域，这些房间的热环境通过一个缓冲空间被稳定在恒温。这些空间反映出展览室是通一个引导游客从位于高速公路的入口到达位于kakinoshima场地的横截面来与场地对接。

The building was given an exposed concrete finish wherever possible both inside and outside. The smooth curved surface of the walls was constructed economically by fixing narrow planks of cedar of varying thicknesses and widths into regular 600 mm – width formwork. With the grain of the wood transferred to its surface, the concrete shows an expression that is never repeated and acquires a warmth and delicacy.
这座建筑的表面由内到外都是由混凝土制成。光滑的曲墙用了经济节省的构造方式，就是固定上了厚度和宽度都600毫米的狭长木板，并且设置了窗框。随着木头的纹理印在混凝上，混凝土的表面呈现出一种不同寻常的温暖和典雅。

The manual work that produced this effect seems particularly appropriate in this center that is home to the clay figurines of Jomon culture.
产生这种效果的手工制作工艺看上去非常适合文化中心作为绳纹文化的泥塑文化之源的定义。